Their amorphous shape tinted in golden hour hues, immortalise the most rare and fleeting time of the day, alluding to the fragility and tenacity of the human spirit. Their movement is precise yet unpredictable, creating a sustained moment of tension as they approach one another, nearly meeting, almost always just missing. Their oscillating movement references both the fragility of equilibrium and the relentless momentum of desire and fear — two opposing yet interdependent states.
By leaning into uncertainty, the work suggests that transformation arises not through certainty or control, but through presence, risk, and the willingness to be moved. It imagines a world in which we move toward, rather than away from, the unknown; where wonder becomes an act of agency.
In this collection of sculptures combining blown glass, metal, photographs, and found organic material, the artist engages with the enduring dialectic between courage and fear, positioning the viewer within a space of metaphysical inquiry.
The work draws from the symbolic charge of lightning — an elemental force that has, across cultures and epochs, embodied both divine wrath and transcendental revelation.
From the thunderbolts of Zeus and Indra to the burning bush of Moses, lightning is portrayed not merely as destruction, but as a liminal moment of communication between the earthly and the sublime. The title imagines a reality where we are emboldened to run towards our fears rather than away from it. To claim our own power by acting from a place of wonder and courage. The sculpture is activated by human touch — an intentional gesture that invites the viewer into an intimate choreography with the object.
